★ François Chaignaud and Marie Caroline Hominal (Wednesday and Thursday) The French choreographer and performer François Chaignaud has made a name for himself as a creator (often with Cecilia Bengolea) of subversive, thought-provoking works; Gia Kourlas described their work in The New York Times as finding “an exhilarating place where fear meets bravery.” For “Duchesses,” shown for the first time in the United States, Mr. Chaignaud has collaborated with Marie Caroline Hominal, though the nature of the piece isn’t entirely clear from the Web site description. (A sample: “Between arid ecstasy, radiant meditation and cruel hypnosis.” Possibly it sounds better in French.) Hula hoops, however, seem to be involved. At 7:30 p.m., Invisible Dog Art Center, 51 Bergen Street, near Smith Street, Cobble Hill, Brooklyn; e-mail lucien@theinvisibledog.org for reservations, theinvisibledog.org; suggested donation, $10. (Sulcas)
E-Moves (Friday and Saturday) In past years this series has nurtured young choreographers by pairing them with more experienced mentors. For the 14th edition, previous participants come together in teams of three to create new works. The teams are Nia Love, Germaul Barnes and Maurice Chestnut; Nathan Trice, Marguerite Hemmings and Hattie Mae Williams; and Adia Whitaker, Satoshi Haga and Nelida Tirado. In keeping with the mentorship theme, each choreographer has selected an emerging artist to devise a site-specific piece for the closing night’s “Harlem Stage Takeover.” At 7:30 p.m., Harlem Stage Gatehouse, 150 Convent Avenue, at 135th Street, Hamilton Heights, (212) 281-9240, Ext. 19 or 20, harlemstage.org; $20, $16 for students and members. (Burke)
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